After a trip to the Tate Modern in London, we headed over to meet a friend at Kings College. We walked over the elegant, sinuous Millennium Bridge. It’s has been a couple of years since our last visit and this time we noticed that everyone was looking down and pointing, not the sort of thing you expect to see in the middle of this busy thoroughfare. The once magnificent, pristine bridge has definitely aged.
The metal rungs of the bridge are now the repository for discarded chewing gum. It’s a bit shocking to see the how little regard people have for their city’s icons. I am always surprised that so many people do not consider discarded cigarette butts and chewing gum as destructive litter.
The silver lining however is that Artist Ben Wilson, aka The Chewing Gum Man, apparently a regular sight on the bridge, takes these disgusting remnants of people’s chewing gum and turns them into mini works of art.
Many of the pieces are commissioned by tourists and locals commemorating their visit or someone in their lives. The intricate paintings can take hours to make.
Ben likes to create art that means something to the people who ask for it. This was a tribute to victims of the Japanese Tsunami.
This image shows people on the bridge looking at Ben’s artwork and St Paul’s Cathedral at the end of the Millennium Bridge axis.
It’s the endless possibility of patterns that seems to excite Ben’s creative mind. As Ben explains “sometimes I can look at the shape and I can see what I want to create…the gum gets stuck between the tread and takes on an echo or a form of the bridge.”( quote is from (image from Inspiring City)
The Millennium Bridge has now become an experiential, free, outdoor art gallery. In his words, about painting onto discarded chewing gum, “it’s not criminal damage” he tells me “the chewing gum is already there I’m just transforming it into something beautiful that people would like to look at.” (Quote is from Inspiring City)).
This may be the ultimate expression of ‘taking lemons and making lemonade’. Ben Wilson has taken trash and turned it into an amazing interactive tourist attraction. Now if he could only turn his hand to those cigarette butts. (The 3 image above are from Inspiring City)
Very prominant along the GTA skyline are the “Marilyn Monroe’ Towers. On our last trip to Ontario we decided it was time to stop and have a look at these towers and their very unusual, non-rectilinear massing.
Their undulating shape is the design of young Beijing-based architect, Ma Yansong, and his firm, MAD Architects. Ma entered an international design competition hosted by the tower’s developers Fernbrook Homes and Cityzen, and was awarded the project in 2006.
Within days of the announcement, the taller building had been nicknamed the “Marilyn Monroe” tower due to its curvaceous, hourglass figure likened to actress Marilyn Monroe. Burka Varacalli Architects, a Toronto firm, was hired as MAD’s local partner in April 2007.
The building represented constant challenges. In most towers, all but two of the floors are exactly the same, said engineer Yury Gelman. In this building, none of them were the same. The larger of the two towers twists 209 degrees from the base to the top. The towers are 176 metres and 158 metres tall respectively.
It was worth the detour off the Toronto freeway to see these towers in person. They are absolutely magnificent and beautiful to look at. They are indeed works of Art.
My birthday was August 14 and I spent the day with my daughter who is visiting from Los Angeles. We took a walk down Main Street, in Vancouver, which has become a funky, hip neighbourhood with many boutiques, antique and vintage goods, cafes, and recently, home decorating shops.
Here I am sitting on a sofa in Vancouver Special, at 3612 Main Street (read more below). My daughter took this picture and it made me realize the vintage dress I was wearing was perfectly matched to the decor in the shop. This brings me to two points I want to share with you. Firstly, my dress is awesome and it goes to show you what you can pick up for next to nothing at a vintage store. And secondly, fashion now, more than ever, is one of main predictors of upcoming home decorating trends.
The styles, patterns and colours that graced the runways of Milan, New York and Paris are soon strutting down the pages of glossy fashion magazines and then end up in our closets. Yet people’s home decor would rarely reflect the fashions that they wore. (from Freshome)
However, this is changing. What is happening in Fashion will often predict and inspire the latest looks in interiors. In recent years, the world of interiors has seen about a 2 year lag from runway to living room. Given the speed of information transfer now that time will only shorten. Fashion is not only about clothes and shoes anymore. Trends in the fashion industry have a direct impact on interior design all around the world.
‘Vancouver Special is a retail store offering a carefully curated selection of contemporary furniture, sofas, design objects, household accessories, and art and architecture books.’
Vancouver Special is a term used to refer to houses built in a particular architectural stylein the period from roughly 1965 to 1985 in Vancouver, British Columbia, Canada and its suburbs. The Vancouver Special house style has had a bad reputation because of its proliferation, its cheap materials, bland forms, kitschy decorations, ease of permitting and the fact that it was designed for two family occupancy. The Vancouver Special will be a topic of discussion in a later blog post.
Little did I know when my daughter suggested we have a drink at the Chateau Marmont, after a day of home tours in the Canyons, that it was the quintessential Los Angeles Hotel. Apparently the Eagles’ 1977 song ‘Hotel California’ is rumoured to be about the Chateau Marmont.
I have to thank the Vancouver Art Gallery’s latest show called, Grand Hotel: Redesigning Modern Life for enlightening and informing me of the hotel’s notorious reputation for being the ultimate hedonist’s hangout. Without seeing this exhibition, I doubt I would have delved further into the seedier history of Los Angeles. Although I knew something was up when the hotel staff asked me to put my camera away. Anyone who knows me, knows, this is very hard for me to do. I did manage to sneak a few pictures, but my friends were nervous about being thrown out, so I had to limit my shots. We did see some recognizable faces in the courtyard so I assumed this request was in deference to their guest’s privacy. Evidently the Chateau’s tradition of carefully guarded guest privacy dates back to its opening in 1927.
The hotel was loosely modeled after the French Loire Valley’s Chateau d’Amboise and was purposely built and envisioned, as a place where entertainment industry talent could feel at home. The hotel was designed to allow guests to come and go discretely, resulting in the Chateau’s reputation as a place for intrigue and indiscretion. Most importantly, guests could come and go without being observed by the press.
The Marmont was originally conceived as a deluxe residential apartment complex. However, with the onset of the Great Depression, changes to the business model were required, so the Chateau became a hotel instead. The new owner capitalized on the flagging economy by purchasing antique furniture from estate sales, resulting in the Chateau’s distinctive style, so loved by visitors.
In the late 60s and 70s the Chateau Marmont was very popular with musicians and became the locus for the emerging Los Angeles music scene based in the Laurel Canyon. According to the exhibition, Grand Hotel: Redesigning Modern Life, the Marmont was a retreat for some of the most famous musicians of the folk-rock revival, including Joni Mitchell, Neil Young, Jim Morrison, The Mamas and the Papas, and the The Byrds. The Marmont emerged as the place to meet, hang out, jam and engage in a variety of shenanigans.
The exhibition further explains, “The stories are legendary: Janis Joplin wandering the halls at all hours of the night in a drug induced haze; Jim Morrison, in a fog of Jack Daniels and LSD, falling from his second-storey window and injuring his back; Led Zeppelin, in a juvenile gesture of rock ‘n’ roll tomfoolery, famously riding their motorcycles through the lobby; and Alice Cooper engaging in a spirited game of nude football. The Marmont assumed a tawdry feel in the 1970s, becoming a place to score drugs, entertain suicidal thoughts or hide from the world for a while.” John Belushi died of a drug overdose in his room, Bungalow #3 at the Chateau Marmont. Below is a 1956 view of the Marmont bungalows.
It wasn’t just musicians who made the Chateau Marmont their home. It also was a favourite place for old Hollywood from the 1930s through the 1950s. “Deals were made, careers established and destroyed, and relationships were forged and broken within the hallowed walls of the Marmont.” The founder of Columbia Pictures is known to have told young actors, “If you must get into trouble. Do it at the Marmont.”
Personally, we found the service to be incredible. When we were indecisive about which wine to order, our server brought us 3 varieties to try! I want to thank my agents provocateurs, Shelina, Devon and Paisley for making our Chateau Marmont experience so memorable! When in Los Angeles, pay the Chateau Marmont a visit, and if you are in Vancouver, go see the show, Grand Hotel: Redesigning Modern Life.